The New Yorker Has Stopped Sending Me Rejection Slips … Sort Of
“Of course I draw for the New Yorker” is the reply I give to the question I’m most often asked as a cartoonist, “but they’ve never bought anything of mine.”
When I started cartooning professionally in 1981 I submitted a batch of cartoons to the New Yorker every week for a few years. At the time I thought they were great, but now I can see that most were terrible. I stopped submitting to them when I started only drawing commissioned work.
Last month for the first time in decades I drew a batch of ‘toons for my own amusement, bought 200 large envelopes, and hired a monk scribe. Monk scribes are cheaper than ink cartridges because you need only keep them in wine. Any kind of wine will do: even my friend’s unpalatable but potent home brew. Continue reading